Thursday, August 17, 2017

PUTTY

I've embarked on a new series.
PUTTY is a live art interview programme that appropriates and distorts the chat show medium.



Putty pulls its inspiration from the qualities of two materials:

Museum Putty--a utilitarian substance, defined by its relationship to the institution it supports.
-adheres art objects to pedestals, props them up but is rarely visible.
-is malleable, ready to use, and works on almost any surface, occupying a low role in high art.



Silly Putty--a novelty product without a clear function that bounces off and sticks across surfaces.
-pilfers Marmaduke's image from the Sunday comics and stretches it into new pooch mutations.




Putty plans to stick together disparate bits of the Indianapolis art scene, connecting artists as it connects audiences, growing as it rolls.
It hopes to shift the focus to under-recognized members of the community, challenging creative misuse and different looking, curating fascinating aesthetic conversations through best case scenario bar chatter, gossip and games.

Episode one at State Street Pub featured Rad Wytch writer Bree Jo'Ann, interdisciplinary reality fiddler Carla Knopp, painter and punk historian Becky Wilson, and musical guest Hen.
It boasted a kitschy set designed by Cinnamon Rose and Jessica Dunn of Brain Twins and styling (of yrs truly) by Geraldine Lee's Vintage.



Episode two airs Wednesday, September 13 at 8PM and features IMOCA curator Paula Katz, avant-bland installation impresario Anna Martinez, Indiana poetry imprint Monster House Press and musical guest Process My Office.
I will be your host, gleefully facilitating conversation while exercising discrete aesthetic control--deciding who you look at and where and when and how.
I've prepared for this role my entire life!

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